Introducing Yazemeenah Rossi, the 67-year-old woman celebrated as the “world’s most beautiful grandmother.”
I hold great admiration for individuals who demonstrate that age is merely a number.
Whether they’re scaling mountains, biking, or engaging in computer games, it fills me with warmth to witness elderly individuals defy the conventional notion that age dictates capabilities.
For years, this woman has been bestowed with the title of “the world’s most beautiful grandmother,” a recognition that may not astonish you once you catch a glimpse of her appearance. Yet, she serves as a flawless illustration of how beauty transcends the boundaries of youth.
Yazemeenah Rossi, born on December 21, 1955, in Corsica, France, has graced magazine covers worldwide and may have caught your eye in various campaigns, her identity and age often overlooked.
In addition to her modeling pursuits, Rossi has ventured into acting, appearing in notable films such as “Timeless Beauty,” “Relevator,” and “The Grasslands.”
Unlike many models who begin their careers in their teens, Rossi’s journey into the industry took a different trajectory. Starting in her thirties, she swiftly made her mark, challenging the conventional norms prevalent in the modeling world, where models often commence their careers without compensation or for minimal fees, striving to build a robust portfolio. Despite entering the industry at an age when most models contemplate retirement, Rossi’s career flourished.
Yazemeenah was already challenging the notion that youth is a prerequisite for modeling, a sentiment she continued to embody over the next three decades.
“At 20, I was already a mother of two, working from home—designing clothes, knitting, and engaging in interior design for friends and private clients,” she reflected in 2020. “Even in my teens, I knew I wouldn’t thrive in an office job or remain in one place for my entire life. So, even while raising my children, I remained very active and independent.”
Despite maintaining a consistent modeling career throughout these years, Yazemeenah acknowledges that the industry predominantly favors the young.
